Object Photos

So I've been a bad blogging boy but hopefully now I'm back with a vengeance. I had a clear out recently and came across some objects which I had collected but had never used and didn't want to get rid of because they were too beautiful- I concluded to photograph them and then charity their asses- a good excercise in self control and photography. So I'll be blogging an object a day for like 5 days or something.

I don't even know what this does- Tommy T'll tell ya'll.dial_03dial_02dial_04dial_01

Karen the McCartney Collector

So I went out of London for this one: a Beatles and McCartney collector. She collected everything from the records (all- including bootlegs, and weird covers of Beatles and McCartney stuff) to books to memorabilia (talcum powder, dolls, and postcards) to gigs (nearly all front row centre) to face to face meetings. Karen seemed to use the high fiscal value of her collection as a validating tool- she didn't acquire items because they were expensive but used their value to explain to others why she had collected them. It seems also a bit of a thing with collectors for their collections to take them to other places- it was trainspotting holidays for Tim, Indian tin hunting for Tony and McCartney Road trips for Karen. She spoke about her and her friends (another common thing is this culture of like minded collectors- i guess that's just like friends though right.) would go and follow Paul's tour around the states- only sitting in front row centre seats (AAA) which seemed pretty hardcore. She spoke about how the memorabilia she collected now had to be authentic i.e. from the 60's / 70's as crap knock offs weren't good as people were making too much money off them - although she did say "if it was Paul then I'd get it- I'd just have to." When asked why Paul McCartney? she responded-"Why do some people support Manchester United? I just do" She also spoke about enjoying others incrdulity at the amount of stuff she had- "I can honestly say anyone who's ever some to my house had been wide eyed and open mouthed- it's like... awh!" I guess Beatles items lend themselves to sets as there were 4 of them but even in the McCartney stuff she would have a set of 5 or 6 of the same vinyl which was different countries releases- the promos and the original re-releases. Interestingly whilst she described herself as untidy, her collection contrasted by being centrally located in one room at the heart of the house- it was alphabetically ordered, and organised by subject and medium, whilst not being archived, or listed in any formal way she said she knew what items she had and where every item was, in her head. She also had a McCartney tattoo which i forgot to take a photo of! One if the best quotes was: "I'm a loyal collector, when I collect something, I really collect it. It's why I've never watched shows like x-files etc." In terms of pulling out conclusions, this one seems quite hard, but i'd have to focus on- the breadth of the collection: from experience to record (directly influenced by the artist) to memorabilia (indirectly influenced by the artist). The duplication and tiny variations which create the need to possess multiple and (to the untrained eye) identical copies.  The symbolism attached to the subject matter- Paul McCartney. The purhasing owning, possessing of the items being the 'thing' as the records (whilst played) seemed to be thouroughly abstracted from the function. The competitive streak to be the No. 1 fan- in terms of quantity of records and number of gigs attended (I just had to buy it).

Out and About

After the interview yesterday I went to the Wellcome Collection again to take some pictures for my project, and it kicked my ass again with how brilliant it was. The content and the design were astounding, i also went to the exhibition that they've got on the ground floor about madness and modernity (and other stuff), but Bobby Baker's drawings (a drawing a day of her experience wit mental illness) read like the saddest, most beautiful and interesting comic ever- everyone go now is ace. I also went to a place called the Crypt, underneath St Pancras Church which had a good little exhibition in it- about mapping and places and atlases and all the stuff surrounding it. Interesting space and a shame the work didn't have some better labelling and descriptions but the more sculptural stuff really worked out for me. They also give you quite a nice poster guide that has some essays in it- well wrth a visit to the two places (go to Euston).