A not very well thought out or written account of an interview. Big thanks tovery much Tony: I went to interview the educater, artist and collector Tony Hayward, among his collections that he mentioned there was: his Indian Collection- rat traps, kerosene lamps, moving toys, jugs- postcards of swiss alpine hotels, shampoo bottle tops, viewmaster slideshows, pepsi branded objects, figurines, Paul Emil paintings, flipbooks, and books about collections.
All of which seemed to be linked to his work either by being a resource to use later in his work, or as reference for his work. He talked about the spirit of the hand crafted batch produced Indian objects: 'surrounding myself with the spirit of something'. Some of his collections have become pieces of work in their own right rather than the physical material or inspiration for an artwork, the display process of his collections seems to be important despite claiming that the hunt was where the pleasure was derived from- I think this is more a result from being an artist and displaying being an intrinsic part of the process of that.
Tony also produces quite alot of books it seems- mostly containing his collections. There was one which was just nine images or so of chairs in India, these objects were recorded through photography alone, and then later published in a book. Even this seemingly insignificant collection was worthy of printing- He talked about how making books about the collections kept them going, and how he liked the 'thingyness of books' and contrasted these with websites and other display methods- I think this is nice in terms of turning a memory or record back into an object. Also the sharing and public display aspects of this is interesting- it turns a collection of objects into a piece of work, and again I think this is due to the artists need to exhibit and share.
Other things of interest: Tony described Deptford market as having strata, and how you could be opening boxes and a hit a seam of postcards that stop you in your tracks. Artifacts purchased for the Pitt Rivers being an outpost of the main collection. 'I don't really put things on display, I store them'- the collection as a bank/ store room for the collection- not living with it but visiting it. 'It's terrible I don't really look at this stuff'. 
Then we have a set of drawers with hidden bits and pieces, flaps, slides, extra spaces, fake bits, etc etc. I guess for the guilty collector, or as a tool for starting a collection: filling the secret spaces with secret things.
wine should not be sold next to boxers. no. I also spotted this- lol and a half: 
Also checked out the latest exhibition at the Baltic which was Yoko Ono, i love the Baltic and some of Yoko's stuff i enjoyed- these fixed cups, 
and her ideas for installations, architecture and paintings were great (i like that the ideas were enough, that there was enough description involved that you understood the concept and what the general gist would be of the piece without it being made) unfortunatley some of the ideas had been done and they didn't feel good. I feel that when my mum talks about 'Art' and 'Artists' being highbrow and unknowable and incomprehensible with that tone that people do sometimes- she's talking about Yoko Ono, hippy, lovey, peacey, cheesey, and pretty tacky pieces- hang your wish on a tree, same picture with abstract and pseudo meaningful legends- sort of junk- kind of felt like alot of the cheesey new relgious prayer and interactive worship stuff that I was once invovled in but without the acceptable pretence of religion. Rant over.