November Pics
Photos October 2010
September 2010 photos (a.k.a Italy!)
August 2010 Photos
Le Camp
I'm in love with this set of photos 'Le Camp' by Claudine Doury. They beautifully capture a period between childhood and adulthood- documenting a space away from the domesticity of the home and the imposing structures which parents put in place. Link here: Claudine Doury Originally found here: also nice- iconology
Howard Grey and Me
So some of you know that I'm in the fortunate position to be helping out Howard Grey: the dad of my friend Camilla who I met at Moving Brands. He's a photographer with a lifetimes work and I'm helping him archive it all. So- lots of scanning, cataloguing, and eventually displaying his work. It ranges from historical journalism type stuff, to portraiture, to model shoots, to fashion, to advertising and corporate work- there's a massive breadth and amount of material and it's a real joy to be able to peruse and dig out gems from someones life's work. Every day is like a treasure hunt. I'm beginning the process of designing and creating a website and blog where you can view the sort-of-archive that it's becoming. (I say sort of because it acts as more of an edited reference for the physical collection/archive which is where high quality prints and scans would be taken from when the need arises.)
This is a nice one I dug out from today. It is from a shoot for the Association of Building Societies. The man shown is a carpet fitter and this was shot at the end of 1969. People that know me will understand that this man's style is what I aspire to, I have a bit of a thing for the Fred Dibnah look.
Manufactured Landscapes
A nice follow on from the last post: this is a feature length documentary by Jennifer Baichwal about the photographer Edward Burtynsky. He takes stunning photographs of landscapes which have been drastically altered by human activity- think open mines, endless factrories and ship breaking beaches.
It's powerful and beautiful stuff but also very open ended. As Burtynsky himself points out- he doesn't take a 'this is bad' political stand point- but lets people see what they want to see. There's an obvious sustainability and 'aren't we fucking up the planet' message that can be read but also there's a whole look at human progress and our advancement in conquering nature or something.
Interesting film, more a piece of journalism than a pointed 'An Inconvenient Truth' thing but well worth watching.